creative research gallery and drawing center
a 501(c)(3) not-for-profit organization

 


SEASON 15

EXHIBITS IN THE GALLERY
September 2018 - August 2019

Get on the list to receive the season-documenting hardcover anthology, the Manifest Exhibition Annual (MEA s15).

Download to save or print the entire season 15 calendar here.

Submit work to open projects here.

Find your way to the gallery, (map) here.

 
  September 28 - October 26, 2018     (SEASON 15 LAUNCH) Preview Reception: Thursday, September 27, 7-9pm
Public Opening: Friday, September 28, 6-9pm

main gallery

 

ARCHIVE [photo]
Photo & Lens-based Art About Archives

A FotoFocus Biennial 2018 Participating Venue Exhibition

 

Manifest is proud to launch its 15th season with this FotoFocus sponsored exhibition marking the gallery's fourth Biennial participation.

Commonly defined as an accumulation of records or the place they are located archives contain primary source documents that have accumulated over the course of a particular span of time, and are kept (or presented) to show the function or history of a particular person, idea, or phenomena. This competitive exhibit called for photo and lens-based works which addressed this theme in some way based on this definition.

Manifest’s own mission as a nonprofit entity is to function as an organizational archive of the artwork and artists’ histories it presents, publishes, and interacts with. This is one aspect of our 'Creative Research'. This exhibition will brings together works of photographic and lens-based visual art which in one way or another, literally, formally, or figuratively, represents the concept of archive.

It provides, through its concurrent presentation with four other exhibitions, a comparison between photo and non-photo approaches, and inspires consideration of the role of visual art in the process of housing, presenting, and preserving primary source information, and of the artist’s part in the process of interpreting or feeding into the archive.

This exhibition, along with its companion exhibits, serves as the grand opening of Manifest's 15th season.

For this exhibit 47 artists from 19 states and 3 countries submitted 160 works for consideration. Sixteen works by the following 11 artists from 7 states, and Canada were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication.

Presenting works by:

Mike Callaghan
Toronto, Canada

Alyse Delaney
Brooklyn, New York

Karen Hillier
Bryan, Texas

Jieun Beth Kim
Austin, Texas

David Knox
New Orleans, Louisiana

Kent Krugh
Fairfield, Ohio

Isabella La Rocca
Danville, Kentucky

William Nourse
Amesbury, Massachusetts

Vesna Pavlovic
Nashville, Tennessee

Crystal Tursich
Columbus, Ohio

Jenny Zeller
Louisville, Kentucky

 

 

 

 


 

     Isabella La Rocca


 

     Vesna Pavlovic


 

     Karen Hillier

 

 

 


drawing room

 

CHRONICLE
Photographic Collages by Greg Sand


Greg Sand is an artist and photographer who explores the issues of existence, time and death. He works primarily with digital photography to produce work that addresses the nature of photography and its role in defining reality. Sand received his BFA in Photography from Austin Peay State University in 2008. He has won the acclaim of both jurors and audiences, winning numerous awards and honors. In 2009, Sand was selected by critic Catherine Edelman and the Griffin Museum of Photography as one of "the most exciting new artists emerging in the world of photography." Sand currently lives and works in Clarksville, Tennessee. He is represented by the Cumberland Gallery in Nashville, Tennessee, and exhibits across the United States.

Of his work the artist states:

"In ‘Chronicle’ I combine 1/2” and 1” square pieces that I have cut from found photographs to examine the fragmentation of memories. When recalling our childhood, we may remember the shoes our father always wore or the way our mother held her hands: a part represents the whole. Photographs function in a similar manner. They do not show a whole person or an entire life, but instead capture a single moment. These keepsakes help determine some of the pieces of memory that stick with us.       

This series started as an exploration of the overwhelming scope of humanity and human history versus the insignificance of the individual. I wanted to find a visual representation of the 6,393 deaths that occur every hour in the world. I made the piece ‘Chronicle: Passing (6,393 Per Hour)’ to try to comprehend this staggering figure. I moved on to other subjects that became more about the nature of memory. The themes of death and loss are still present throughout the series—most blatantly in the images of funerary flowers and disembodied shadows—as the source photos I use often have a built-in sense of history and sadness.

This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

 

 

 



 


 


parallel space

 

Stories We Tell Ourselves
Constructed Photographs by Dominic Lippillo


Dominic Lippillo's work questions the role of photography by making digitally constructed images that address notions of space versus place, memory, and experience. His work is included in the permanent collections of The Museum of Photographic Art; The Museum of Fine Arts, Houston; The University of Alabama, Tuscaloosa; and the University of North Dakota. Publications where his work is featured include Don't Take Pictures, Mono Chroma, Exposure, Daily Serving, and The Eye of Photography. He is a recipient of a South Arts Fellowship (2018), a Mississippi Arts Commission Visual Artist Fellowship (2016), and the Mississippi State University Faculty Research Award for the College of Architecture, Art and Design (2013). He earned his MFA in Photography from Ohio University (2009) and a BFA in Photography from Youngstown State University (2005). Lippillo is an Associate Professor of Photography at Mississippi State University. 

Of his work the artist states:

"Throughout the series, “Stories We Tell Ourselves”, memory, landscape, vernacular images, and narrative coalesce in a series of constructed photographs. Drawing influence from my experiences, American Scene painting, and the settings found in Raymond Carver’s short stories where melancholy is balanced by curiosity, I seek out non-specific American landscapes to photograph and embellish by adding atmospheric conditions and appropriated figures that are alien to the landscapes.

I begin the process for this series by photographing unoccupied suburban and rural areas to serve as backdrops of the everyday. I then search through my collection of anonymous vernacular images—photographs with unknown internal and external contexts—that have been purchased in secondhand shops to find figures to inhabit the minimalistic scenes. In doing so, a pensive human presence appears as an rückenfigur contemplating the landscape for the viewer to identify with, or as a visual device to direct the viewer’s gaze in or out of the frame. I approach finding the locations to photograph, and choose the figures to appropriate, with an eye for ambiguity and an irrational attraction and fascination to unassuming details, thus allowing my mind to wander outside of the confines of my eye’s visual field.

In these re-contextualized photographic realities the landscapes and figures share a symbiotic relationship, which allows them to transcend time, space, and experience due to their juxtaposition. By creating composite photographs I am inviting the viewer to impose new meanings and create their own re-telling’s of the stories intertwining the anonymous figures and unspecified locations.

This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

 

 

 

 

 



 


 

 

 


central gallery

 

WHITEWASHED
Photographs by Wes Battoclette


Wes Battoclette is a Cincinnati-based artist using photography as his primary medium. He was educated in Fine Art earning his BFA at the University of Cincinnati’s College of Design, Architecture, Art, and Planning in 2008. A focus of his work is centered around redefining perceptions of architecture and the landscape through photography, often utilizing new technologies and techniques to transform the final image.

Of his work the artist states:

"The Whitewashed Series explores ways in which the absence of color can erase assumptions of a space and let your mind transform its past and present into something fresh and desirable.

I was first drawn to these buildings while driving through a busy area full of color one overcast day. Right in the middle of all this was an abandoned whitewashed building trying its best to conceal itself.  To me however it stood out like a blinding light.

The atmosphere around these buildings plays a vital part in the series. Finding that magic moment of overcast adds a very personal connection as if the building is pulling me into its void.

This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

 

 

 

 

 

 



 


 

 

 

 

 

 


north gallery

 

ARCHIVES
Non-Photo-Based Art About Archives

 

ARCHIVES invited artists to consider the meaning of the concepts 'primary source, preservation, collective data, accumulation, time, history, reflection, etc.' as they considered the potential for works fitting into or addressing the over arching theme of this show. We were eager to see just how artists make work in any non-photo-based media or genre (painting, drawing, collage, printmaking, sculpture, mixed media, and non-traditional art, etc.) which in some way addresses the theme of ARCHIVES. As Manifest has done before, this exhibit sets out to provide a counterpoint to the FotoFocus Biennial themed photo-specific exhibition in our Main Gallery, thereby providing the viewer a valuable opportunity to compare and contrast the role of media and creative processes in the resulting work which is, nevertheless, united by theme.

For this exhibit 37 artists from 14 states, Washington D.C., and 3 countries submitted 79 works for consideration. Nine works by the following 5 artists from 4 states, and Ireland were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication.


Presenting works by:

Amy Dean
Clarksville, Tennessee

Ashly Griffith
New Orleans, Louisiana

Curt Lund
St Paul, Minnesota

Seamus O’Rourke
Dublin, Ireland

Jonathan Ware
Lexington, Kentucky

 

 

 

 

 

 

 

     Amy Dean


 

    Curt Lund


 

 

 



  November 9 - December 7

Preview Reception: Thursday, November 8, 7-9pm
Public Opening: Friday, November 9, 6-9pm




December 14, 2018 - January 11, 2019

Preview Reception: Thursday, December 13, 7-9pm
Public Opening: Friday, December 14, 6-9pm




  January 25 - February 22

Preview Reception: Thursday, January 24, 7-9pm
Public Opening: Friday, January 25, 6-9pm



  March 8 - April 5

Preview Reception: Thursday, March 7, 7-9pm
Public Opening: Friday, March 8, 6-9pm




  April 19 - May 17

Preview Reception: Thursday, April 18, 7-9pm
Public Opening: Friday, April 19, 6-9pm


  May 31 - June 28

Preview Reception: Thursday, May 30, 7-9pm
Public Opening: Friday, May 31, 6-9pm



  July 12 - August 9

Preview Reception: Thursday, July 11, 7-9pm
Public Opening: Friday, July 12, 6-9pm


  August 16 - September 13    (SEASON 15 FINALÉ)

Preview Reception: Thursday, August 15, 7-9pm
Public Opening: Friday, August 16, 6-9pm


 

——— END OF SEASON 15 ———


See all open calls here.




PREVIOUS SEASON 15 EXHIBITS:





Manifest's 15th season is funded in part by an impact grant
from ArtsWave, the Ohio Arts Council, and the generous contributions
of individual supporters who care deeply about the visual arts.



gallery hours:

tues-fri noon-7pm, sat noon-5pm
(or by special appointment)

closed Sun and Mon

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cincinnati, ohio 45206


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cincinnati, ohio 45227


  

 


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