| statement Neatly organized frozen moments are not real. Experience is messy: overlapping reflections, memories clouding the present muddled by competing background noises. The urban environment is a vast sea of fluctuating boundaries arguing claim to the demarcation of space as "wild," "inhabited," "private," "public," "forbidden," and "open." I make sprawling wall-sized and room-sized paintings on Tyvek as a direct response to this environment.
 My imagery is derived from actual and virtual meandering throughout fringe neighborhoods within Philadelphia. Google maps‚ street views counter my real experiences of place by allowing me to jump through time and space. My fleeting impressions of spaces correlate with the inherent distortions of Google's low resolution snapshots of fluctuating, blurred spaces. Similar to the experience of locating one's orientation by coming to the surface when snorkeling, I often find myself lost and need to zoom out of a street view to an aerial view for navigation. No matter how closely I zoom in on a space, the truest details are inaccessible, similar to the gap between public and private space in actual experience.
 
 When I am driving, I am focused on the road ahead and only have a vague vision of the peripheral world that whizzes by on the side. When I am walking with my young twin daughters, my attention is directed at the minutiae that they find so wondrous (often a bit of trash), while also darting ahead half a block to check on the faster, more energetic child, and periodically looking behind for the more attentive, slower paced child. I have chosen to live in a city precisely because it means that I access (and bypass) a rich variety of neighborhoods and environments each day, via the different levels of attention of my role as driver, passenger in car or on train, or pedestrian. I am acutely aware of the fact that by pursuing one path to get from one point to another, I am traversing a forest with multiple perspectives and paths.
 
 Cities have attracted me for their density, activity, variety, their layered contradictions; there is never enough to give me a definite understanding of my immediate environment.
 
   bioborn: 1975, Philadelphia, Pennsylvania 
 education:
               Tyler School of Art, MFA, 2003Sydney College of the Arts, MSA, 2000
 Carnegie Mellon University, BFA, 1997
 
 selected awards/honors Winner, Wind Challenge Exhibition Series at Fleisher Art Memorial, Philadelphia, PA, 2010The Viewing Program, The Drawing Center, NY, 2010
 
 selected publicationsAccess Atlanta, "Context shapes message of pieces in Whitespace show," by Catherine Fox for the Atlanta Journal-Constitution, July 8 , 2010 New American Painting #81, juror: George Kinghorn, Director, University of Maine Museum of Art, 2009
 2008 International Drawing Annual, Manifest Creative Research and Drawing Gallery, Cincinnati, OH
 
 
 selected
              solo or two-person exhibits Delaware Center for the Contemporary Arts, Wilmington, DE, 2011Fleisher Art Memorial, Philadelphia, PA, 2010
 AHN/VHS Gallery, Philadelphia, PA,  2009
 Abington Art Center, Jenkintown, PA, 2009
 
 selected
                group shows
 Seepages, Whitespace, Atlanta, GA, 2010On the Rise, The Art Gallery at City Hall, Philadelphia, PA, 2010
 Art of the State, The State Museum, Harrisburg, PA, 2009
 Crossing Lines, The Delaware Center for the Contemporary Arts, Wilmington, DE, 2009
 
 
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