statement

find myself enchanted by the history and the trajectory of human innovation. Technological improvement is leading us towards a merger of the biological and the mechanical, where human and tool become one. I explore this through portraiture and illustrative scenarios where the characters are fitted with cybernetic parts that explode into layers for the viewer to examine.

I grew up in a small town in the Appalachian hills. At a young age I worked in the construction industry where I became fascinated by the notion of "progress". What did it mean to be knocking trees over with bulldozers to make room for a human family to live? The cycle of construction and destruction that plays out at that scale is a phenomenon that echos comparably at all levels where modern humans prevail. Recently I worked as a patent illustrator, wading through the constant stream of invention that flows through the United States Patent Office. Sometimes I look at what we humans do with technology and I am elated, other times I am terrified. I seek to investigate the human progress paradigm and it's role in nature. This work, to me, is a way of reckoning with this tumultuous time in history.

I use a wide variety of materials: ink, watercolor, acrylic and oils. As a patent illustrator I learned to use the computer to create technical drawings. I continue to use the computer to assist in the line work, and then transfer the drafting to my drawing surface. Aerosols and airbrush are used in many of the backgrounds and the traditional media are used to complete the rendering. When brainstorming for a new piece I often examine ideas through a mind map. Ideas are laid out into a visual net and worked until connections form that lead to an understanding and eventually an image. I borrow from old school patent illustration, comic books and realist traditions to end up with a sci-fi style that can weave a web of narrative.

I am approaching my subject matter from two slightly different technical directions. In one series I am using portraiture and figurative work to focus on the human element of technology, giving the viewer a person to identify with, often with an emotive facial expression. The more realist, photographic style serves to better make that connection.

The second series puts machines and non-human animals together, enclosed by the format of a technical diagram. With this style, I hope to convey a sense of wilderness being trapped within the designs of industrious minds

bio

born: 1986, Athens, Ohio

education

Ohio University, BFA, 2010

selected publications

The Gnome Lexicon, Written by Marcia Lewandowski, Athens, Ohio, Pukwudgie Press, 2010
Organizing Cools The Planet, Cover Illustration, Hillary Moore and Joshua Kahn Russell, PM Press, 2012

selected solo or two-person exhibits

Raven Moon Emporium, Patent Series, Eugene, Oregon, 2014

selected group shows

Ayden Gallery, Robots and Monsters, Vancouver, British Columbia, 2014
Twenty-Two, The 13th Ghost Story, Charlotte, North Carolina, 2013
Twenty-Two, Apocalyptic Premonitions, Charlotte, North Carolina, 2012
Trisolini Gallery, BADASS: The Secret Ingredient, Athens, Ohio, 2010